{"id":263,"date":"2023-06-09T09:15:56","date_gmt":"2023-06-09T09:15:56","guid":{"rendered":"https:\/\/camilla-piano.com\/?page_id=263"},"modified":"2025-11-10T12:06:12","modified_gmt":"2025-11-10T12:06:12","slug":"publications","status":"publish","type":"page","link":"https:\/\/camilla-piano.com\/index.php\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<p>-mit Julia Horvath-Wieder: \u201eF\u00fcr ein Huhn gab\u2019s eine Geige\u201c \u2013 Stefan Kocsis zum 95. Geburtstag<\/p>\n\n\n\n<p>In <em>parlando. Das neue \u00f6sterreichische Musikmagazin<\/em>, 1. Jg. , Heft 1, Wien 2025.<\/p>\n\n\n\n<p>-Franz Liszt Across the Ocean: Rafael Joseffy, Arthur Friedheim und Moriz Rosenthal in New York<\/p>\n\n\n\n<p>In <em>Music Across the Ocean. Processes of Cultural Exchange in a Transatlantic World, 1800-1950<\/em>, hg. von Carola Bebermeier, Clemens Kreutzfeldt und Melanie Unseld, Bielefeld: transcript 2025.<\/p>\n\n\n\n<p>DOI: 10.14361\/9783839475133-013<\/p>\n\n\n\n<p>-From Beethoven Performance to Beethoven Interpretation: Carl Czerny and Franz Liszt\u2019s Evolving Relationship, 1822\u201357,<\/p>\n\n\n\n<p>In <em>Performing by the book? Musical Negotiations between Text and\u00a0Act<\/em>, Orpheus Institute Series, Leuven: University Press, 2024.<\/p>\n\n\n\n<p><a href=\"https:\/\/library.oapen.org\/handle\/20.500.12657\/93650\">https:\/\/library.oapen.org\/handle\/20.500.12657\/93650<\/a><\/p>\n\n\n\n<p>-\u201cBeethoven. World.Citizen.Music\u201d (Bundeskunsthalle Bonn) and \u201cHotel Beethoven\u201d (Bozar Brussels): Two Anniversary Exhibitions Braving the Corona Year of 2020 and Other Calamities,<\/p>\n\n\n\n<p>In <em>Keyboard Perspectives<\/em>, The Yearbook of the Westfield Center for Historical Keyboard Studies, volume XIII (2022), edited by Tom Beghin, pp. 255\u2013270.<\/p>\n\n\n\n<p>-Ein \u201eJean Paul redivivus des Klaviers\u201c: Der ungarische Lisztsch\u00fcler Josef Weiss,<\/p>\n\n\n\n<p>In <em>Das Mechanische Musikinstrument. Journal der Gesellschaft f\u00fcr Selbstspielende Musikinstrumente<\/em>, Issue 145, December 2022, pp. 19\u201324.<\/p>\n\n\n\n<p>-Liszt\u2019sche Interpretationspraxis am Beispiel des ersten Satzes aus dem f\u00fcnften Beethoven-Klavierkonzert,<\/p>\n\n\n\n<p>In <em>Beitr\u00e4ge der Graduate School of the Arts II<\/em>, edited by Thomas Gartmann und Michaela Sch\u00e4uble (Bern: Graduate School of the Arts 2018), pp. 37\u201351.<\/p>\n\n\n\n<p><a href=\"https:\/\/arbor.bfh.ch\/6467\/1\/GSA2_Koehnken.pdf\">https:\/\/arbor.bfh.ch\/6467\/1\/GSA2_Koehnken.pdf<\/a><\/p>\n\n\n\n<p>-Das sprechende Klavier \u2013 Liszt\u2019sche Gestaltungsstrategien in rezitativischer Klaviermusik, <\/p>\n\n\n\n<p>In <em>Beitr\u00e4ge der Graduate School of the Arts I<\/em>, edited by Beate Hochholdinger-Reiterer and Thomas Gartmann (Bern: Graduate School of the Arts 2017), pp. 67\u201379.<\/p>\n\n\n\n<p><a href=\"https:\/\/arbor.bfh.ch\/7501\/1\/GSA1_Koehnken.pdf\">https:\/\/arbor.bfh.ch\/7501\/1\/GSA1_Koehnken.pdf<\/a><\/p>\n\n\n\n<p>-Beethoven-Auslegung zwischen Liszts \u00abDeklamationsstil\u00bb und B\u00fclows \u00abVivisektionsversuchen\u00bb. Auf den Spuren Liszt\u2019scher Interpretationsideale in Hans von B\u00fclows instruktiver Edition der Klaviersonaten Beethovens,<\/p>\n\n\n\n<p>In <em>Rund um Beethoven<\/em>, edited by Thomas Gartmann und Daniel Allenbach (Schliengen: Argus Edition 2019), pp. 92\u2013113<\/p>\n\n\n\n<p>doi.org\/10.26045\/kp64-6178-006<\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">Forthcoming<\/span>:<\/p>\n\n\n\n<p>-Beethoven schillernd. Franz Liszt gegens\u00e4tzliche Interpretationshaltungen in den Klaviersonaten op. 27,2 und op. 106,<\/p>\n\n\n\n<p>In <em>Musikwissenschaft nach Beethoven<\/em>, Schriften zur Beethoven-Forschung, edited by Tobias Janz and Christine Siegert (Bonn: Verlag Beethoven-Haus [2025?])<\/p>\n\n\n\n<p>&#8211;<em>Interpretation \u201eim Geiste Liszt\u2019s\u201c. Beethoven, Chopin und Liszt im Spiegel von Instruktionen und Tondokumenten seiner Sch\u00fcler<\/em>, Musicologica Pannonica, edited by Beatrix Darmst\u00e4dter und Eszter Fontana u.a., Eisenstadt [2025]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>-mit Julia Horvath-Wieder: \u201eF\u00fcr ein Huhn gab\u2019s eine Geige\u201c \u2013 Stefan Kocsis zum 95. Geburtstag In parlando. Das neue \u00f6sterreichische Musikmagazin, 1. Jg. , Heft 1, Wien 2025. -Franz Liszt Across the Ocean: Rafael Joseffy, Arthur Friedheim und Moriz Rosenthal in New York In Music Across the Ocean. Processes of Cultural Exchange in a Transatlantic&hellip;<\/p>\n<div><a class=\"excerpt-more button\" href=\"https:\/\/camilla-piano.com\/index.php\/publications\/\">Continue reading <span class=\"screen-reader-text\">Publications <\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/camilla-piano.com\/index.php\/wp-json\/wp\/v2\/pages\/263"}],"collection":[{"href":"https:\/\/camilla-piano.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/camilla-piano.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/camilla-piano.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/camilla-piano.com\/index.php\/wp-json\/wp\/v2\/comments?post=263"}],"version-history":[{"count":14,"href":"https:\/\/camilla-piano.com\/index.php\/wp-json\/wp\/v2\/pages\/263\/revisions"}],"predecessor-version":[{"id":367,"href":"https:\/\/camilla-piano.com\/index.php\/wp-json\/wp\/v2\/pages\/263\/revisions\/367"}],"wp:attachment":[{"href":"https:\/\/camilla-piano.com\/index.php\/wp-json\/wp\/v2\/media?parent=263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}